For Grandad

In between Lifeboat Station Project missions, I’ve really enjoyed fulfilling a couple of longstanding arrangements — the making of two portraits.

This one is about two brothers, Danny and Ben Hughes…


I’ve known Danny for a few years – ever since he co-created Unit 44 Gallery right here in Newcastle. Therefore, it was a pleasure to meet his brother Ben for the first time.

Danny and Ben Hughes with Jack Lowe

Danny Hughes, Jack Lowe and Ben Hughes with the freshly-made portrait on glass

Sadly, their Grandad is showing the early signs of Alzheimer’s Disease. They’ve decided to raise money for the Alzheimer’s Society by doing one big thing that they really hope their Grandad will remember – trekking up Mount Kilimanjaro.

Even if he doesn’t remember, they’re proud to be raising money for others like him.

In the process, they’re launching a charity called Grandad and the portrait we made together is a part of that launch.


Danny and Ben Hughes for Grandad

Danny and Ben Hughes, Steel Rigg, Northumberland, Monday 23rd November 2015, 12×10 inch Ambrotype by Jack Lowe

If you’d like to help Danny and Ben on their way, check out their JustGiving page.


Jack Lowe by Ben Hughes

Photograph by Ben Hughes

And the other portrait? I’ll tell you about that one shortly…

Just a Black Box…

This morning I posted these words on my Instagram feed. It seems appropriate to share them here too…


This Sunday, here’s a thought to consider on photography:

As I’m about to make a photograph, I remove the ground glass screen (used for composing and focussing the image).

Just before I fix the plate holder to the camera, as in this case at Southwold Lifeboat Station, this is what I see:

The Lifeboat Station Project by Jack Lowe

Frighteningly simple, isn’t it?

It’s just a black box and a lens. That’s all cameras are…black boxes and a lens. Truly.

When I travel on my missions, I just use this camera and one lens; my lens cap is my shutter – I count elephants in my head when I’m making an exposure (have you seen Gregory’s Girl?).

As there are no equipment choices to make, my mind is free to concentrate on making the best photograph I can with what I have.

So many people confuse ‘cameras’ with ‘photography’. I’m afraid I cannot have camera conversations like “So, are you a Canon man or a Nikon man?”

It actually makes me shudder.

Cameras do not make you a better photographer…you make you a better photographer.

You can have all the pixels and knobs and buttons in the world. It might have cost you £2000 but, unfortunately, it will not make you a better photographer.

Q: So, what will?

A: Other good photography!

Buy good photo books. Old ones. New ones. Immerse yourself in them. You’ll find out what you like and what you don’t like and, I promise, you’ll become an infinitely better photographer in no time…


THE LIFEBOAT STATION PROJECT

With that in mind, why not pop over to see what I’ve been up to with my black box and lens at The Lifeboat Station Project?

I’d love you to join me…

The Lifeboat Station Project by Jack Lowe

Shipshape

Happy New Year, one and all! I trust that you’ve had a peaceful and enjoyable festive break?

At the start of 2015, after a long time in the planning, I find myself at a crux in my life: In just 10 days, I start The Lifeboat Station Project.

I’m excited and terrified in equal measures…

The Lifeboat Station Project

As many of you will already know, particularly those who follow my Instagram feed, The Lifeboat Station Project has been a fair while in the thinking and planning.

The main reason, you see, is that my mission ahead is not as straight forward as it could be.

The Lifeboat Station Project by Jack Lowe

In the modern era, I could quite easily have grabbed a digital camera, captured the images on a cluster of memory cards and then sat in front of a computer for weeks prettying them all up.

However, you’ll also know by now that I’m not making this extraordinary body of work like that at all. I’m making the photographs on 10×12″ glass, just as the Victorians used to.

So, I’ve had to take great care in many ways — from liaising with the RNLI to ensure that they’re happy to receive Neena at every station to working out methods of safely transporting so much glass whilst on…

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Then I must make your portrait…

I told this story a few days ago on my favourite social medium, Instagram.

It received a great response, so I thought I’d tell it here too:

I’ve been working a lot on the finer details of my wet plating technique lately.

I had a beautiful afternoon tinkering on Sunday, testing my tweaks and refinements on 12×10 inch glass plates as I move ever-closer to starting The Lifeboat Station Project.

My friend and neighbour, Carole, came wandering round the corner, shopping bags in hand.

She’s very loving and enthusiastic, is Carole.

“Look at you!” she said, “…in your apron, creating wonderful things.”

“Ah, thank you, Carole. Anyway, how are you?”

She replied, “My brain tumour’s back. I’m dying now. I can feel it. It’s time for me to go.”

Obviously, that took me aback. I gave Carole a kiss and a hug and I could only think to say one thing:

“Then I must make your portrait.”

She told me she would adore that. So that’s what we did.

It was a beautiful moment and the kind that seems to keep happening in and around this process.

It engages people and that’s what I love about it. And that’s what I also love about photography…


12x10 inch Ambrotype of Carole, Newcastle upon Tyne, 23rd November 2014

12×10 inch Ambrotype of Carole, Newcastle upon Tyne, 23rd November 2014


Sunday 15th November 2015

I’m so sad to hear that Carole died in the night, almost a year since we shared this precious moment together.

Unfortunately, the photograph above is the only record of this plate as it was irreparably damaged whilst being washed afterwards — a photograph that turned out to be as ephemeral as life itself.

Even though we didn’t see each other so often, I’ll miss our colourful neighbour very much.

She was a truly special person, a character who really brought something to the party and enhanced the world for all who knew her…

Jude, Glencoe

wet plate collodion process, tintype, large format

Jude, Glencoe, Scotland (10×12″ Tintype)

The intimidating valley sides of Glencoe, Scotland, form the backdrop to ten seconds in the life of my younger son, wrapped up warm on a blustery, rainy day.

Check out other new additions to the Gallery.

The Midges that Died for Art

Last weekend — what with it being the summer holidays an’ all — I thought it would be fun to concoct an impromptu camping/photography expedition to Scotland with my younger son.

Stocked with food, chemicals and 110 year old cameras, we headed north from our home in Newcastle upon Tyne.

We had a ball, wild camping in Neena with wondrous sights aplenty…

Stag at Bridge of Orchy, Scotland

From Instagram: The sight that greeted us on our first night at Bridge of Orchy…

Thankfully, I had the foresight to pack insect nets and repellent; I’m all too aware of how the Scottish midge can turn a perfectly nice time into a humid, swarming trauma.

Sure enough, having settled down to make some photographs beside the stunning River Etive, clouds of the interminable bug descended as I poured my second plate.

At one point, I looked down at my gloved hands and I couldn’t see them — they’d literally come alive with a swarm of midges, looking like some kind of organic techno prop from a sci-fi movie.

It was time for a sharp exit but I had to finish making the plate before we could pack away and move on…

wet plate collodion process, tintype, large format

Glen Etive, Scotland (10×12″ Tintype), complete with embedded midges…

Pouring the 10×12″ Tintype, I was doing my best to keep the little critters from flying into the collodion.

Then it dawned on me — if I simply let them ‘do their thing’ I’d be making full use of this photographic process.

I’ve written before about capturing the weather in a glass plate. Now, I’d not only be creating a unique one-off photograph on metal, I’d also be capturing another important facet of the Scottish landscape — the midge!

Into the collodion they flew, ready for a lovely soak in a bath of silver nitrate. And so, it came to be that a handful of midges died in the name of art.

Now, to think of more ways to reduce their numbers…

wet plate collodion process, tintype, large format

The Midge: Dying for my art…

wet plate collodion process, tintype, large format

A tiny crop from the plate — not bad for a 110 year old Emil Busch brass lens!

For more recent work, check out the Gallery.

Neena, wet plate collodion process, ambulance, darkroom

From Instagram: Neena — mobile darkroom and bed for the night…

On the Telly

There’s excitement afoot but more on that later in the month.

In the meantime, whet your appetite with this short clip broadcast last night by the BBC Look North team. You’ll also discover why I made the Tintypes below…

Jack Lowe on the BBC

Click to see a short film on the BBC describing the beginnings of a new project…

Half Plate Tintype by Jack Lowe, wet plate collodion

BBC Look North reporter, Andrew Hartley, on a sunny day in Craster (Half Plate Tintype)

Half Plate Tintype by Jack Lowe, wet plate collodion

Tintype Selfie, lens cap opened for five elephants by assistant Robert (Half Plate Tintype)