Jude, Glencoe

wet plate collodion process, tintype, large format

Jude, Glencoe, Scotland (10×12″ Tintype)

The intimidating valley sides of Glencoe, Scotland, form the backdrop to ten seconds in the life of my younger son, wrapped up warm on a blustery, rainy day.

Check out other new additions to the Gallery.

The Midges that Died for Art

Last weekend — what with it being the summer holidays an’ all — I thought it would be fun to concoct an impromptu camping/photography expedition to Scotland with my younger son.

Stocked with food, chemicals and 110 year old cameras, we headed north from our home in Newcastle upon Tyne.

We had a ball, wild camping in Neena with wondrous sights aplenty…

Stag at Bridge of Orchy, Scotland

From Instagram: The sight that greeted us on our first night at Bridge of Orchy…

Thankfully, I had the foresight to pack insect nets and repellent; I’m all too aware of how the Scottish midge can turn a perfectly nice time into a humid, swarming trauma.

Sure enough, having settled down to make some photographs beside the stunning River Etive, clouds of the interminable bug descended as I poured my second plate.

At one point, I looked down at my gloved hands and I couldn’t see them — they’d literally come alive with a swarm of midges, looking like some kind of organic techno prop from a sci-fi movie.

It was time for a sharp exit but I had to finish making the plate before we could pack away and move on…

wet plate collodion process, tintype, large format

Glen Etive, Scotland (10×12″ Tintype), complete with embedded midges…

Pouring the 10×12″ Tintype, I was doing my best to keep the little critters from flying into the collodion.

Then it dawned on me — if I simply let them ‘do their thing’ I’d be making full use of this photographic process.

I’ve written before about capturing the weather in a glass plate. Now, I’d not only be creating a unique one-off photograph on metal, I’d also be capturing another important facet of the Scottish landscape — the midge!

Into the collodion they flew, ready for a lovely soak in a bath of silver nitrate. And so, it came to be that a handful of midges died in the name of art.

Now, to think of more ways to reduce their numbers…

wet plate collodion process, tintype, large format

The Midge: Dying for my art…

wet plate collodion process, tintype, large format

A tiny crop from the plate — not bad for a 110 year old Emil Busch brass lens!

For more recent work, check out the Gallery.

Neena, wet plate collodion process, ambulance, darkroom

From Instagram: Neena — mobile darkroom and bed for the night…

On the Telly

There’s excitement afoot but more on that later in the month.

In the meantime, whet your appetite with this short clip broadcast last night by the BBC Look North team. You’ll also discover why I made the Tintypes below…

Jack Lowe on the BBC

Click to see a short film on the BBC describing the beginnings of a new project…

Half Plate Tintype by Jack Lowe, wet plate collodion

BBC Look North reporter, Andrew Hartley, on a sunny day in Craster (Half Plate Tintype)

Half Plate Tintype by Jack Lowe, wet plate collodion

Tintype Selfie, lens cap opened for five elephants by assistant Robert (Half Plate Tintype)

Portrait of a Roundabout

Swan, Billy Mill and Cowgate — when strung together, these names could perhaps be mistaken for the title of an obscure new advertising agency.

Instead, if you ask a Geordie to name three roundabouts, I expect those are the names that would spring to mind first.

Hen, an old pal of mine, recently asked me if I’d make a photograph of Cowgate Roundabout, which lies at the northern end of Newcastle’s central motorway.

Even though it’s certainly a local institution, this could be perceived as a slightly odd request. There is, however, a simple reason behind it…

You see, when Hen was only fifteen years old, his father — Jimmy Henderson — passed away.

Jimmy used to work for Newcastle City Council and one of the only lasting relics of that time is his contribution to the construction of Cowgate Roundabout.

Hen even retrieved this treasured print of the construction crew, taken in the late 1960s just before work began:

The Cowgate Roundabout Construction Crew

The Cowgate Roundabout Construction Crew

Jimmy Henderson, one of the Newcastle City Council team who constructed the Cowgate Roundabout

Jimmy Henderson, smiling away in the middle of this crop…

It recently transpired that a £3m improvement plan has been given the green light — a plan that includes the removal of Cowgate Roundabout as we know it today.

With works due to start this summer and months of disruption ahead, it was time to get moving with our photograph of the site.

So, we mobilised Neena very early on Sunday morning. Our aim was simply to record the roundabout — usually extremely busy — in a peaceful state without any traffic.

In memory of Jimmy Henderson, our efforts resulted in this finished plate :

Cowgate Roundabout, Newcastle upon Tyne, shortly before its demolition.

Cowgate Roundabout — in memory of Jimmy Henderson. (Half Plate Ambrotype)

Behind the Scenes…

We made a lovely morning of it, not only loading Neena with the necessary photographic paraphernalia but also making sure we had a stash of fine coffee and treats.

Here are three of the images I shared on my Instagram feed at the time…

Jack Lowe on Instagram

Hen enjoying a coffee and pastry between plates. See the family resemblance with Jimmy, above?

Jack Lowe on Instagram

Standing in the doorway of my ambulance — a sentence I never thought I’d write.

Jack Lowe on Instagram

The vantage point.

My New Ambulance

It’s been a curve-curve ball of a week…

A while back you may remember that I was inspired by the work and adventures of Ian Ruhter who makes huge Tintypes in The States using his old blue van as a giant camera — a van he affectionately calls The Time Machine.

If you haven’t seen his now-famous Silver & Light video, I’ll include it at the bottom of this post for you. Watch it. You’ll love it.

At the beginning of my own journey in wet plate collodion, I’ve been fantasising about the kind of vehicle I might own one day to use as a mobile darkroom. So, I’ve been keeping a weather eye focussed on eBay to get an idea of what’s out there for when the time comes.

As you might imagine, there’s a plethora of weird and wonderful machines available. Two weeks ago, a decommissioned NHS ambulance came up for sale and I knew instantly that it would be perfect but, in all honesty, the timing felt too soon.

Mournfully, I watched it slip away — sold to some lucky buyer who I now envied…

Envy isn’t a pleasant emotion, so I quickly expelled the memory from my consciousness and endeavoured to move on. I managed that until eBay sent me a tantalising email stating:

“An item you were watching has been relisted.”

Shucks. Now it felt like destiny. The urge was strong to see if I could possibly bring this wondrous vehicle into my life. And thus, to cut a long story short and after a marathon return trip to Cheltenham yesterday, it became so.

This vehicle — shortly to be my wet plate collodion darkroom — is simply incredible. A ready-made lab on wheels. It’s built solidly, crammed with loads of  gadgets and has effortlessly awakened childhood memories (mainly involving Lego, toy cars and Ghostbusters).

The previous owners named it Neena — get it? — a name that I’m still pondering whether to keep. What say you?

Anyway, I can’t wait for the adventures that lie ahead. Here it is — my new ambulance:

Jack Lowe's Ambulance / Wet Plate Collodion Darkroom

Jack Lowe's Ambulance / Wet Plate Collodion DarkroomJack Lowe's Ambulance / Wet Plate Collodion Darkroom

Jack Lowe's Ambulance / Wet Plate Collodion Darkroom

Jack Lowe's Ambulance / Wet Plate Collodion Darkroom

Jack Lowe's Ambulance / Wet Plate Collodion Darkroom

Jack Lowe's Ambulance / Wet Plate Collodion Darkroom

As promised, Ian Ruhter’s Silver & Light:

Skye Glass

wet plate collodion process, half plate, ambrotype, large format

Julian Calverley working at Elgol on the Isle of Skye (Half Plate Ambrotype)

Two weeks ago, Julian Calverley invited me on an impromptu visit to the Isle of Skye, a stunningly beautiful wilderness in the far north of Scotland.

I’ve known Julian for a long time, I’ve made his edition prints for years. Now, I was presented with a new treat — to capture him in one of his favourite stomping grounds for a new book being released later in the year.

I could only seize the chance and, thus, the Ambrotype above was made.

No hiding…

Whilst working with wet plate collodion, I’ve come to adore and embrace the fact that everything within a plate tells a story.

Experienced collodionists are able to pore over a plate and know where things went well and where they went wrong, what worked and what didn’t.

For example, the waviness to the left of the photograph? That’s the wind at Elgol trying to have a say, blowing my collodion as I poured it onto the glass in the dawn breeze.

Not only have I recorded Julian working with his camera, I’ve also captured the weather.

So many elements of that early morning are now immortalised with a piece of glass and a box of chemicals. That’s beautiful to me. I love it.

wet plate collodion process, half plate, ambrotype, large format

Pouring collodion… (by Julian Calverley)

Working on location with this process can be physically gruelling as there’s simply so much paraphernalia. It’s a labour of love and you soon find out why there aren’t many people working on location in this way.

However, the rewards for all those efforts are wonderful and even just one or two great plates make it all worthwhile.

wet plate collodion process, half plate, ambrotype, large format

It’s no mean feat working in the field with wet plate collodion…

Online, it’s impossible to relay the experience of viewing an Ambrotype in the flesh.

As I’ve mentioned before, they carry entrancing three-dimensional qualities — almost holographic — leaving me with a sense that I’ve captured a slice of time, that I’ve actually created some kind of time capsule.

In short, the plates are unique, unreproducible and irreplaceable.

wet plate collodion process, half plate, ambrotype, large format

Undercover, probably working some magic… (by Julian Calverley)

wet plate collodion process, half plate, ambrotype, large format

My half plate 1905 Thornton and Pickard Imperial Perfekta — brass-bound mahogany joy…

wet plate collodion process, half plate, ambrotype, large format

Remember ‘Sketch for a Darkbox’? Click on the image to see what I mean…

Wet Plate Gallery

The eagle-eyed will have spotted that I’ve now created a Wet Plate Gallery in the menu bar at the top of the page.

Take a look to see some of my favourite plates so far. Watch this space for more soon and, remember, there’s no substitute for seeing them in the flesh…

wet plate collodion process, half plate, ambrotype, large format

A quick capture by Julian while I made his portrait…

Kielder Moon Shines at BALTIC 39

On 9th December 2013 I made Kielder Moon, as it happened, on the very day that Kielder Observatory was awarded Dark Sky Status.

There’s another event that coincides with the release of this image — NASA celebrating its 45th anniversary of the 1969 lunar landing.

In recognition of this milestone and to acknowledge the moon’s place in our imaginations and culture, BALTIC 39 is currently staging ‘They Used to Call it the Moon‘, a beautiful exhibition dedicated to our nearest ball of rock, exploring the enduring presence of the moon and the rich iconography of space on the popular imagination of artists.

I was — ahem — over the moon when BALTIC invited me to include my recent creation in the exhibition. I’m very happy to announce that you can now buy numbered, signed and embossed prints directly from BALTIC Shop as well as from my New Prints page…

Kielder Moon, Kielder Observatory, the moon, astronomy, astrophotography, BALTIC Centre for Contemporary Art

‘Kielder Moon’ currently showing in ‘They Used to Call it the Moon’ at BALTIC 39

Kielder Moon, Kielder Observatory, the moon, astronomy, astrophotography, BALTIC Centre for Contemporary Art

Preparing prints for BALTIC Shop…

The Moon, Kielder Observatory, Northumberland National Park

Kielder Moon

Kielder Moon, Kielder Observatory, the moon, astronomy, astrophotography, BALTIC Centre for Contemporary Art

‘They Used to Call it the Moon’ / List of Works