New Platinum Print: Hérault Mountains

In the depths of Southern France there’s a scene that’s kept me entranced for many a lazy afternoon over the years…

Hérault Mountains, France, 1999, photographed by Jack Lowe

Hérault Mountains, France, 1999

I’ve photographed the view many times, even made a time lapse once, but none of them encapsulate the feelings evoked as neatly as this one.

Now available as a Platinum/Palladium print, Hérault Mountains joins a growing collection of photographs using this very traditional printing method — read more about the process by clicking here.

Hérault Mountains, France, 1999, photographed by Jack Lowe

Print detail…

If you’re thinking of buying any of my prints as Christmas gifts, please allow as much time as possible — now is a good time to order.

I do hold a small amount in stock but Platinum/Palladium prints such as these can take a little while to make.

If you would like to buy Hérault Mountains as a signed, numbered and embossed print, you can find it nestled here in my Platinum Collection.

Hérault Mountains, France, 1999, photographed by Jack Lowe

New Platinum Print: Paddington Station

If you’re a photographer, you might empathise with this — occasionally (or regularly) making a photograph that you know you like but you’re not quite sure how or what will be the right way to finish it off, to properly close the loop…

I must say, it doesn’t normally take as long as fourteen years to come to a decision.

However, back in 1999, I captured the layered platform rooves of Paddington Station, a mainline railway station in West London.

Although I loved the graphic simplicity of the scene, it was an image that went on the back-burner.

Finding the photograph a couple of weeks ago put me straight into the mindset of a vintage Paddington Station.

Some of the buildings are clearly more modern but nevertheless it reminds me of a time gone by.

I’m not sure why, maybe it’s the weightiness or the puff of white rising from one of the platforms; maybe it’s simply the fact that it was shot on nostalgic ol’ black and white film with my Nikon.

Whatever the reasons, I knew instantly that it would make a fine Platinum/Palladium print.

I set to work making the Digital Negative and sent it off to Richard (take a look at the process here).

When Prints No.1 and No.2 arrived back, I was over the moon — just what I’d hoped for:

Paddington Station, West London, UK, 1999, photographed by Jack Lowe

In hindsight, I think I was a little ahead of myself when I released the shutter on this scene.

Rather than the photographic tastes I had then, it was as if I was seeing ahead to the tastes I would have now with an older head on my shoulders.

Perhaps that’s why it’s taken so long for me to close this particular loop.

Anyway, I managed to find a clip of The Last Journey, a story about Bob Holt’s last journey as a railway engine driver before his retirement.

The clip depicts Paddington in the 1930s, a time when Platinum printing had already become scarce due to the war effort, and a good example of the station back in the day:

If you would like to buy one of these beautiful signed, numbered and embossed prints, you can find it nestled among others here in my Platinum Collection.

Paddington Station, West London, UK, 1999, photographed by Jack Lowe

Platinum: King of Photographic Prints

Video

Have you wondered why I put so much love into pursuing such an old print process as Platinum printing?

It’s true that the process doesn’t fit snugly into our modern fast-paced life — the prints are expensive to make and each one requires a fair amount of time to create.

I’ve described the beauty and rarity of Platinum printing on this process page.

Sometimes, however, it’s also good to hear about it from another angle and perhaps none better than this short video from George Eastman House…

I now have four beautiful prints available to buy in my Platinum/Palladium Collection.

My last post, Rum at Dusk, describes one of the images in more detail.

Rum at Dusk

The Isle of Rum from Camusdarach, Scotland, photographed by Jack Lowe

“All the complex wires of life were stripped out and he could see the structure of life.

“Nothing but rock and sea, the tiny figures of humans and animals against them for a brief time.” — Annie Proulx, The Shipping News

Annie Proulx has eloquently put into words an issue I’ve been pondering of late…

When I first step out of the car having journeyed to a place such as the west coast of Scotland, why is it that I always feel so readily and notably at ease?

Any cares or concerns fritter away in the breeze (there’s always at least a breeze in Scotland) and my mind seems instantly able to function with a new-found clarity.

It’s a sensation rather akin to drinking a lovely cool glass of water on a baking hot day.

For Example…

In August my wife and I travelled to a spot just south of Mallaig in Scotland. I wrote about it shortly afterwards on these pages.

The thing is, this site didn’t even exist at the start of that week and now it does — a direct result of the clarity gained from being in a location so wild as the west coast of Scotland.

On the day this site was conceived, during that week in August, I made my first new photograph in years — one that I knew would be among the first to grace these pages.

So, here it is, a sumptuous Platinum/Palladium print capturing the beautiful Isle of Rum at dusk (as seen from the mainland at Camusdarach)…

The Island of Rum from Camusdarach, Scotland, photographed by Jack Lowe

Visit my Platinum/Palladium Print Collection to buy this print and have it delivered to your door. Alternatively, feel free to contact me for further information.

If you’d like know more about Platinum/Palladium Prints, you can learn all about them by clicking here.

My thanks to Paul Kenny for our discussions about wild places and for pointing me in the direction of the The Shipping News once again.

I’m currently re-reading this beautiful book…

The First Digital Negatives

You may have read in my first proper post, Remembering Ardnamurchan, a week or two ago that I plan to gradually release Platinum/Palladium Prints of my work over time.

Well, after so many years, it’s been wonderful working on my own photography once more.

I’ve now made the first set of Digital Negatives and handed them to my friend and colleague, Richard Freestone of 139 Printroom, to work his magic — I’ll keep you posted as to when they are ready…

What’s a Platinum/Palladium Print?

“What’s a Platinum/Palladium Print?” I hear you ask!

You’ll be pleased to know that I’ve made a new page that explains all — click here to learn more…

HP Digital Negative for Platinum/Palladium Printing

A Digital Negative, among the first of my photographs to be made into a Platinum/Palladium Print — 10 points if you can tell me the location (leave a comment)!

Remember, 10 points if you correctly guess the location of the above image — leave a comment!