Then I must make your portrait…

I told this story a few days ago on my favourite social medium, Instagram.

It received a great response, so I thought I’d tell it here too:

I’ve been working a lot on the finer details of my wet plating technique lately.

I had a beautiful afternoon tinkering on Sunday, testing my tweaks and refinements on 12×10 inch glass plates as I move ever-closer to starting The Lifeboat Station Project.

My friend and neighbour, Carole, came wandering round the corner, shopping bags in hand.

She’s very loving and enthusiastic, is Carole.

“Look at you!” she said, “…in your apron, creating wonderful things.”

“Ah, thank you, Carole. Anyway, how are you?”

She replied, “My brain tumour’s back. I’m dying now. I can feel it. It’s time for me to go.”

Obviously, that took me aback. I gave Carole a kiss and a hug and I could only think to say one thing:

“Then I must make your portrait.”

She told me she would adore that. So that’s what we did.

It was a beautiful moment and the kind that seems to keep happening in and around this process.

It engages people and that’s what I love about it. And that’s what I also love about photography…


12x10 inch Ambrotype of Carole, Newcastle upon Tyne, 23rd November 2014

12×10 inch Ambrotype of Carole, Newcastle upon Tyne, 23rd November 2014


Sunday 15th November 2015

I’m so sad to hear that Carole died in the night, almost a year since we shared this precious moment together.

Unfortunately, the photograph above is the only record of this plate as it was irreparably damaged whilst being washed afterwards — a photograph that turned out to be as ephemeral as life itself.

Even though we didn’t see each other so often, I’ll miss our colourful neighbour very much.

She was a truly special person, a character who really brought something to the party and enhanced the world for all who knew her…

Jude, Glencoe

wet plate collodion process, tintype, large format

Jude, Glencoe, Scotland (10×12″ Tintype)

The intimidating valley sides of Glencoe, Scotland, form the backdrop to ten seconds in the life of my younger son, wrapped up warm on a blustery, rainy day.

Check out other new additions to the Gallery.

Portraits 1997~2005

Kath (2004), Photography by Jack Lowe

Kath, 2004

I always think of myself as a landscape photographer.

Why I think that, I don’t know; I photograph all sorts of subjects all of the time.

Like many of you, I guess, I often make portraits — usually of my nearest and dearest.

I love making them but, moreover, I love that I only ever make them for pleasure with no commercial angle involved.

Photography is intrinsic to my makeup and it feels wholesome somehow to keep a part of it set to ‘hobby status’.

You can see more of my favourite portraits in this Behance Collection

Ethel and Peter (2001), Photography by Jack Lowe

Ethel and Peter, 2001