Wet Plate: A Potted History

On Mark Tucker‘s blog, I’ve just stumbled across a potted history of the wet plate collodion process by George Eastman House.

The original work of the 1850s is often so beautiful. Some of it is shown in their short video, not least a stunning glass negative of an American steam locomotive.

During the commentary, the narrator mentions one of the aspects that I love about wet plate — that each one has a narrative derived from the very hand of the photographer. Every part of a wet plate tells a story in some way, whether it’s to do with the content or the process.

Lovely to see the famous image of Roger Fenton’s Photographic Van featured too.

Anyway, enjoy a few moments with this…

Platinum: King of Photographic Prints

Video

Have you wondered why I put so much love into pursuing such an old print process as Platinum printing?

It’s true that the process doesn’t fit snugly into our modern fast-paced life — the prints are expensive to make and each one requires a fair amount of time to create.

I’ve described the beauty and rarity of Platinum printing on this process page.

Sometimes, however, it’s also good to hear about it from another angle and perhaps none better than this short video from George Eastman House…

I now have four beautiful prints available to buy in my Platinum/Palladium Collection.

My last post, Rum at Dusk, describes one of the images in more detail.