Two weeks ago, Julian Calverley invited me on an impromptu visit to the Isle of Skye, a stunningly beautiful wilderness in the far north of Scotland.
I’ve known Julian for a long time, I’ve made his edition prints for years. Now, I was presented with a new treat — to capture him in one of his favourite stomping grounds for a new book being released later in the year.
I could only seize the chance and, thus, the Ambrotype above was made.
Whilst working with wet plate collodion, I’ve come to adore and embrace the fact that everything within a plate tells a story.
Experienced collodionists are able to pore over a plate and know where things went well and where they went wrong, what worked and what didn’t.
For example, the waviness to the left of the photograph? That’s the wind at Elgol trying to have a say, blowing my collodion as I poured it onto the glass in the dawn breeze.
Not only have I recorded Julian working with his camera, I’ve also captured the weather.
So many elements of that early morning are now immortalised with a piece of glass and a box of chemicals. That’s beautiful to me. I love it.
Working on location with this process can be physically gruelling as there’s simply so much paraphernalia. It’s a labour of love and you soon find out why there aren’t many people working on location in this way.
However, the rewards for all those efforts are wonderful and even just one or two great plates make it all worthwhile.
Online, it’s impossible to relay the experience of viewing an Ambrotype in the flesh.
As I’ve mentioned before, they carry entrancing three-dimensional qualities — almost holographic — leaving me with a sense that I’ve captured a slice of time, that I’ve actually created some kind of time capsule.
In short, the plates are unique, unreproducible and irreplaceable.
Wet Plate Gallery
The eagle-eyed will have spotted that I’ve now created a Wet Plate Gallery in the menu bar at the top of the page.
Take a look to see some of my favourite plates so far. Watch this space for more soon and, remember, there’s no substitute for seeing them in the flesh…
Wonderful post Jack, that plate is the Skye I know and love, you’ve captured Julian and Skye perfectly! The plates are even more precious when you see them in the flesh as you say. Love the Wet Plate Gallery… all very exciting! Best wishes, Jane
Thank you for your kind words, Jane. JL
I said it before and I’ll say it again, it’s a delight to see a master at work and especially in such conditions. Hats off to you Jack!
Thank you so much, Derek, and for your enthusiasm, support and interest… Jack